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Western Civilization Has Long Held

The identity of a Geisha, and the origins of the profession has a great deal more to do with performance and skills in such than in any other aspect of the trade.

(1) Okada, Mariko. “Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The

Gion School and Representation of a Traditional” Japan.” 2003.

http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10,

2010) p. 223.

(2) Ibid. p. 224.

(3) Ibid. p. 223.

(4) Ibid.

(5) Graham-Diaz, Naomi. Immortal Geisha History of the Geisha, Part One: 1100 AD

1750 AD. October 2001. http://www.immortalgeisha.com/history_01.php (accessed July

10, 2010).

(6) Ibid.

(7) Okada, Mariko. “Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The

Gion School and Representation of a Traditional” Japan.” 2003.

http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10,

2010) p. 223.

(8) Ibid. p. 222.

(9) Ibid. p. 221.

(10) Chen, Li-Yu, and Lai On-Kwok.

“Creativity and Hybridism of Cultures in a Globalizing

World The Re-Production-cum-Consumption of Asian Local Idiosyncrasies.” Journal of Policy Studies 31 (March 2009): p. 147.

(11) Prasso, Sheridan. The Asian Mystique: Dragon Ladies, Geisha Girls and Our Fantasies

of the Exotic Orient. Perseus Book Group Cambridge MA. Cambridge MA: Perseus Book

Group, 2006. p. 216.

References

Chen, Li-Yu, and Lai On-Kwok. “Creativity and Hybridism of Cultures in a Globalizing World The Re-Production-cum-Consumption of Asian Local Idiosyncrasies.” Journal of Policy Studies 31 (March 2009): 141-154.

Graham-Diaz, Naomi. Immortal Geisha History of the Geisha, Part One: 1100 AD – 1750 AD. October 2001. http://www.immortalgeisha.com/history_01.php (accessed July 10, 2010).

Okada, Mariko. “Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The Gion School and Representation of a Traditional” Japan.” 2003. http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10,.

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